An image of an anonymous blonde woman in a plane is juxtaposed with a little frame of what seems to be a folded silicone sheet. Next to them an image of a plastic bucket hanging on a street market is paired with a grey plastic sheet of silicone. For her third solo show at the gallery Safavi proposes recent sculptural and photographic works including these silicones framed monochromes combined together with an image investigating the ephemerality of an event.
The artist chose her color panel by building up associations. Her concerns are fundamentally experimental. The artist interests lay in the accidental and ephemeral nature of things and the observation of their natural particularities, such as color. Safavi’s approach creates different observation angles, associating a sheet of silicone with an image of a plastic bucket. If the color of the silicone remains in the image of the bucket, she delicately suggests its physical encounter. The ephemeral event draws with and within the space. Safavi takes The Breeder’s surprising architecture as a tool using the corners, the wide openings and the lower parts for their particularities to emphasize the space’s own narration.
The series of assemblages of different materials such as concrete, wood, plaster and layers of colored silicone strips result from working within a limited field of materials and actions, which the artist collects around her home or while traveling, made and arranged in her studio. Simple forms are simple gestures and create a fundamental visual vocabulary borrowing impressions of architecture and surfaces. Back and forth, turns and come-backs are symbollically simulated by colorful silicone strips. These works reflect the intimacy of thought and an attempt to work through materials, in search of an event in constant circulation and fluctuation.
The colors play a very important part is Safavi’s work and result mostly from her travel impressions but also borrowed from contemporary culture. They belong to a subtil system she organizes ingeniously. Color and materials hold social and cultural meanings; her silicone based works attest that precisely. However, the materiality of the silicone and its folded skin-like characteristic suggests also a living breath that it is alive and that sweat air bubbles. A little blue monochrome (silicone) titled “Untitled” (after Courbet’s blue), 2014 refers to Courbet famous seascapes. Untitled (Notebook 2010-2012), 2013 was the artist notebook between 2010 to 2012. Safavi is equally interested in the monochromic yellow and the weight of words that figure in the book. The artist intentionally drilled a hole through the book and placed a little mirror in the back cover that one can reflect its own image while looking at it. Once again, that work depicts the notion of travels and strates, the returns and come back is emphasized and pilled through the layers of the paper.